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Monthly Archives: March 2012

The gallery Articule in Montreal is currently showing a great exhibition from the artist Carl Trahan. For this exhibition, entitled Tous les mots necéssaires (All the Necessary Words), the artist takes on the subject of language used in propaganda during the Third Reich, and the role of typography in promoting the National Socialist agenda. For example, the choice of the typeface Fraktur promoted German nationalism, as this is a typeface that has been in use since the printing of the first Gutenberg bibles. In doing some more research about this typeface, I found some more interesting details about the prevalence of this font up until the mid- 20th c.  Taken from the book 500 Years of Printing : " The original reason for the prevalence of the black-letter in Germany and Scandinavian and Slavonic countries in cultural dependance of her may be found in the preponderance of theological over humanistic writings in Germany." Furthermore, the author Steinberg recounts that Fraktur or Blackletter was also reserved exclusively for the German language, and non-German texts or 'foreign words' (Fremdwörter) were always set up in the humanist Antiqua type.